San Gimignano. Tuscany. Italy

San Gimignano. Tuscany. Italy

Piazza del Duomo. San Gimignano. Tuscany. Italy

San Gimignano view from above, Tuscany, Italy

San Gimignano. Tuscany. Italy

San Gimignano. Tuscany. Italy

Piazza del Duomo. San Gimignano. Tuscany. Italy

San Gimignano. Tuscany. Italy

San Miniato del Monte. Florence. Italy

Basilica of San Lorenzo, Florence. Italy

Cypress Trees, San Quirico d? Orcia, Tuscany, Italy

Eagle, symbol of Arte di Calimala (Wool Importers Guild). San Miniato del Monte. Florence. Italy

Architecture - Italy - line art (e3) Elevation Renaissance The church of San Pietro In Montorio.

Patterns & Motifs - Italy - line art Details from a frieze in the Chapel of San Giovanni

Artifacts - Relief - Italy Group from the Descent from the Cross. By Antonio Bergarelli (? -1565). San Francesco at Modena.

Architecture - Italy - line art (e3) Interior detail of the Tempietto (little temple) of San Pietro In Montorio by Donato Bramante (1444-1514). The architect was contemporary and friend of Andrea del Verrocchio and also of Leonardo da Vinci, with whom h

Architecture - Italy - line art (e3) Elevation Renaissance The church of San Pietro In Montorio, Rome by Baccio Pintelli. The famous "Tempietto" or "little temple" by Bramante (possibly the most exquisite example of high Renaissance architecture), w

Architecture - Italy - line art (e3) Interior detail of the Tempietto (little temple) of San Pietro In Montorio by Donato Bramante (1444-1514). The architect was contemporary and friend of Andrea del Verrocchio and also of Leonardo da Vinci, with whom h

Architecture - Italy - line art (e3) Detail of the "Tempietto (little temple) of San Pietro In Montorio by Donato Bramante (1444-1514). The architect was contemporary and friend of Andrea del Verrocchio and also of Leonardo da Vinci, with whom he worke

Architecture - Italy - line art (jj3) Elevation Renaissance A house on the Piazza San Salvatore in Lauro, southeast of Naples by Antonio Sangallo (1483-1546), the most influential architect of his time and a contemporary of both Bramante and Michelangel

Artifacts - Relief - Italy The Descent from the Cross. Relief in bronze by Donatello (1386-1466) in San Lorenzo at Florence. The sculptor is generally agreed to be one of the greatest of all Renaissance artists. He was born in the year work began on the

Architecture - Italy - line art Detail Renaissance Capital of Pilaster. Marble. Santa Maddalena de` Pazzi at Florence. By Giuliano da San Gallo (1445-1516). A Pilaster is a rectangular, decorative column that projects beyond the surface of the wall. Gen

Architecture - Italy - line art (jj3) Detail Renaissance Details from a house on the Piazza San Salvatore in Lauro, southeast of Naples by Antonio Sangallo (1483-1546), the most influential architect of his time and a contemporary of both Bramante and M

Architecture - Italy - line art (e3) Section - Dome of the "Tempietto (little temple) of San Pietro In Montorio by Donato Bramante (1444-1514). The architect was contemporary and friend of Andrea del Verrocchio and also of Leonardo da Vinci, with whom

San Gimignano. Tuscany. Italy