Architecture - Italy - line art (f3) Perspective Illustration Renaissance Santa Maria della Croce near Crema, by Giovanni Battagli c. 1490-1500. The Renaissance -- the revival of arts and literature under the influence of classical (Greek & Roman) mode

Architecture - Italy - line art Elevation Renaissance The Church of Santa Maria Dell` Anima Combined Corinthian and Ionic capital detail

Artifacts - Relief - Italy Relief from the Pulpit in Santa Croce - the church of the Fransiscan order at Florence and the finest example of Italian Gothic architectural style, by Benedetto da Majano (1442-1498).

Architecture - Italy - line art Detail Renaissance Capital of a Pilaster. Santa Maria de` Miracoli at Venice. A Pilaster is a rectangular, decorative column that projects beyond the surface of the wall. Generally it serves no structural purpose and serv

Architecture - Italy - line art Detail Renaissance Capital of Pilaster. Marble. Santa Maddalena de` Pazzi at Florence. By Giuliano da San Gallo (1445-1516). A Pilaster is a rectangular, decorative column that projects beyond the surface of the wall. Gen

Architecture - Italy - line art Detail Renaissance Ornamented Pilaster by Donato Bramante (1444-1514), in Santa Satiro at Milan. A Pilaster is a rectangular, decorative column that projects beyond the surface of the wall. Generally it serves no structu

Architecture - Italy - line art Detail Gothic/Renaissance Gate of Santa Maria Novella at Florence ( church of the Dominicans) by Leon Battista Alberti (1404-1472).. Construction took place between (1278-1350). Alberti`s main contribution was the facade.

Architecture - Italy - line art (ll3) Detail Renaissance Santa Maria Di Loreto in the Piazzo Trajana, Rome by Antonio Sangallo (1483-1546), the most influential architect of his time and a contemporary of both Bramante and Michelangelo. He designed the

Architecture - Italy - line art (ll3) Detail Renaissance Santa Maria Di Loreto in the Piazzo Trajana, Rome by Antonio Sangallo (1483-1546), the most influential architect of his time and a contemporary of both Bramante and Michelangelo. He designed the

Artifacts - Sculpture - Italy St. John the Baptist. By Jacopo Sansovino (1486-1570) from the baptismal font in Santa Maria del Frari at Venice, 1554. The sculptor`s original name was Jacopo Tatti. He adopted the name of his master Andrea Sonsovino in wh

Artifacts - Sculpture - Italy The Annunciation. Relief by Donatello (1386-1466) in Santa Croce, the church of the Fransiscan order at Florence and the finest example of Italian Gothic architectural style. The sculptor is generally agreed to be one of th

Doorway of the Renaissance Church of Santa Croce