Vecchio bridge, Florence- Italy.

Ponte Vecchio at sunset, Florence, Tuscany, Italy

Ponte Vecchio at sunset, Florence, Tuscany, Italy

Italy, Tuscany, Florence, panorama whit ponte vecchio

Ponte Vecchio from Ufizzi Gallery, Florence, Tuscany, Italy

Florence Ponte Vecchio Arno River, Tuscany Italy Europe.

Florence, Italy

Florence Ponte Vecchio Arno River, Tuscany Italy Europe.

Ponte Vecchio over Arno River, Florence, Tuscany, Italy

europe, italy, tuscany, florence, Ponte Vecchio at sunset

Ponte Vecchio, Old Bridge, Arno River, Florence, Tuscany, Italy.

Ponte Vecchio bridge on river Arno, Florence. Tuscany, Italy

Florence, Italy

Artifacts - Furniture - Italy Stall in the Badia at Florence.

A woman sightseeing in Italy

Architecture - Italy - line art Detail Gothic/Renaissance Capital of a Pilaster, carved in wood, from the Palazzo Vecchio at Florence. Also known as the Palazzo della Signoria this building held the offices of the Signoria, or government, of the Florent

Artifacts - Marble - Italy Holy Water Basin, San Marco at Florence, Renaissance marble carving, 15th century

Artifacts - Relief - Italy Relief from the pulpit in Santa Leonardo at Florence. End of the 12th Century.

Artifacts - Sculpture - Italy Tomb of the Cardinal of Portugal. Executed in marble by Antonio Rosselino. Santa Miniato near Florence.

Patterns & Motifs - Italy - line art Ornament in Stone at Florence, 15th century

Artifacts - Bronze - Italy Relief on bronze from Lorenzo Ghiberti`s (1378-1455) first Baptistery Gate at Florence. Between 1403 and 1424.

Artifacts - Relief - Italy Relief from the Pulpit in Santa Croce - the church of the Fransiscan order at Florence and the finest example of Italian Gothic architectural style, by Benedetto da Majano (1442-1498).

Artifacts - Relief - Italy The Crucifixion. Relief in bronze by Antonio Pollaiuolo. (1432-1498) The artist was one of the first to employ dissection of cadavers to study form.

Patterns & Motifs - Italy - line art Wood intarsia from Florence - the craft of using wood inlays. This technique was especially popular in Renaissance Italy. The motif is the acanthus leaf, a herbaceous plant leaf used in decoration since early Greek c

The Ponte Vecchio, Florence, Italy.